{"id":15822,"date":"2026-10-05T08:00:00","date_gmt":"2026-10-05T07:00:00","guid":{"rendered":"https:\/\/adrianpueyo.com\/?p=15822"},"modified":"2026-10-04T15:18:44","modified_gmt":"2026-10-04T14:18:44","slug":"patterns-beneath-the-noise-vfx-in-the-age-of-ai","status":"publish","type":"post","link":"https:\/\/adrianpueyo.com\/es\/patterns-beneath-the-noise-vfx-in-the-age-of-ai\/","title":{"rendered":"Patrones bajo el ruido: VFX en la era de la IA"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"15822\" class=\"elementor elementor-15822\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-85dd0fb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"85dd0fb\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1c5830c\" data-id=\"1c5830c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0137d86 elementor-widget elementor-widget-text-editor\" data-id=\"0137d86\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>He compartido una grabaci\u00f3n de <strong>Patrones bajo el ruido: VFX en la era de la IA<\/strong>, una charla que di en Mundos Digitales este a\u00f1o. Esta es una versi\u00f3n algo m\u00e1s corta y en ingl\u00e9s, grabada durante una sesi\u00f3n interna en Orca Studios.<\/p><p>Est\u00e1n pasando tantas cosas alrededor de la IA generativa que seguir cada herramienta nueva podr\u00eda convertirse en un trabajo a tiempo completo. Preparar esta charla me sirvi\u00f3 para parar un poco y pensar en los patrones detr\u00e1s de esos cambios, desde mi experiencia en producci\u00f3n cinematogr\u00e1fica. Algunos ya estaban ah\u00ed antes de esta ola de IA, que parece estar aceler\u00e1ndolos.<\/p><p>\u00bfC\u00f3mo explicamos lo que queremos? \u00bfC\u00f3mo valoramos si un resultado funciona? \u00bfY en qu\u00e9 merece la pena invertir tiempo aprendiendo cuando las propias herramientas no dejan de cambiar?<\/p><p>La grabaci\u00f3n dura unos 30 minutos y tiene cap\u00edtulos por si quieres ir a alguna parte en concreto. \u00a1Espero que te resulte interesante!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-75cdac3 elementor-widget elementor-widget-video\" data-id=\"75cdac3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=GBG5c3sTzBg&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8de309d elementor-widget elementor-widget-text-editor\" data-id=\"8de309d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2 style=\"text-align: center; margin-top: 40px; margin-bottom: 28px;\">\u00bfDe qu\u00e9 va la charla?<\/h2><p>El punto de partida es una pregunta: cuando la ejecuci\u00f3n deja de ser el principal cuello de botella, \u00bfhacia d\u00f3nde se mueve el valor de nuestro trabajo? Lo exploro desde el desarrollo de herramientas, con SplatGenerator como ejemplo, y desde la composici\u00f3n, donde tantas decisiones t\u00e9cnicas y creativas confluyen en el plano final.<\/p><p>A partir de ah\u00ed, he agrupado las observaciones en cuatro patrones:<\/p><ul><li><strong>Las herramientas se acercan a c\u00f3mo pensamos.<\/strong> Del prompt al brief: comunicar intenci\u00f3n con referencias, bocetos y feedback visual, de forma parecida a como lo har\u00edamos con otro artista.<\/li><li><strong>El artista dirige.<\/strong> A medida que se automatiza m\u00e1s trabajo repetitivo, podemos dedicar m\u00e1s atenci\u00f3n a dirigir, evaluar e integrar los resultados. Saber qu\u00e9 hace que un plano funcione sigue siendo importante.<\/li><li><strong>De los l\u00edmites a los plazos.<\/strong> Muchas de las barreras t\u00e9cnicas actuales pueden ser temporales. La resoluci\u00f3n, el rango din\u00e1mico y la consistencia son problemas reales, pero merece la pena observar c\u00f3mo se van resolviendo antes de asumir que son l\u00edmites permanentes.<\/li><li><strong>Cada vez, m\u00e1s cine se vuelve VFX.<\/strong> Cuando ideas que antes eran inviables se vuelven posibles, los cineastas pueden empezar a dise\u00f1ar contando con ellas. Esto cambia lo que se pide y c\u00f3mo se plantea una pel\u00edcula.<\/li><\/ul><figure style=\"margin: 36px 0;\"><img fetchpriority=\"high\" decoding=\"async\" style=\"width: 100%; height: auto;\" src=\"https:\/\/adrianpueyo.com\/wp-content\/uploads\/2026\/10\/cowboy-dmp-final.jpg\" alt=\"Cowboy on horseback in a desert environment, from the digital matte painting example in the talk.\" width=\"1032\" height=\"544\" \/><figcaption style=\"font-size: 14px; text-align: center; margin-top: 10px;\">El ejemplo de DMP del vaquero que aparece en la charla: Photoshop, Nuke y modelos generativos trabajando juntos.<\/figcaption><\/figure><h2 style=\"text-align: center; margin-top: 48px; margin-bottom: 28px;\">\u00bfQu\u00e9 hacemos con esto?<\/h2><p>La \u00faltima parte lleva estas ideas a producci\u00f3n: probar los flujos de trabajo pronto, dejar margen para la incertidumbre, tener un plan B y ser claros con los clientes sobre lo que estamos utilizando.<\/p><p>Tambi\u00e9n hablo de d\u00f3nde nos ayuda la experiencia y qu\u00e9 puede merecer la pena aprender. Mi sensaci\u00f3n es que la integraci\u00f3n, el criterio y la capacidad de llevar una idea hasta el plano final ganan valor. Sigue habiendo sitio para la especializaci\u00f3n profunda, y mucho que ganar aprendiendo un poco m\u00e1s de las disciplinas que la rodean. Los fundamentos de luz, color, c\u00e1mara y composici\u00f3n siguen siendo \u00fatiles aunque cambien las herramientas.<\/p><h2 style=\"text-align: center; margin-top: 48px; margin-bottom: 28px;\">Decidir y hacer<\/h2><p>Una idea a la que vuelvo hacia el final es la distinci\u00f3n entre <em>blue work<\/em> y <em>red work<\/em>: decidir qu\u00e9 hacer y hacerlo. Escrib\u00ed sobre esto en <a href=\"https:\/\/adrianpueyo.com\/es\/aps-productivity-playbook-the-mindset\/\">mi art\u00edculo anterior sobre productividad<\/a>, y me resulta igual de \u00fatil al pensar en estas herramientas.<\/p><p>La IA puede ayudarnos a ejecutar m\u00e1s, pero eso no mejora autom\u00e1ticamente nuestro criterio. Me interesa qu\u00e9 pasa cuando dedicamos parte de ese esfuerzo que nos ahorramos a pensar con m\u00e1s claridad en la imagen que queremos crear.<\/p><p>Son observaciones desde mi propia experiencia, y tengo curiosidad por ver c\u00f3mo se sostienen a medida que evolucionan las herramientas. Si algo de esto conecta con lo que est\u00e1s viendo en tu trabajo, me encantar\u00e1 leerte en los <a href=\"https:\/\/www.youtube.com\/watch?v=GBG5c3sTzBg\">comentarios del v\u00eddeo en YouTube<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>A few thoughts on the patterns behind the changes we\u2019re seeing in VFX, recorded during an internal session at Orca Studios. Watch the talk and explore what these changes might mean for artists and production.<\/p>","protected":false},"author":1,"featured_media":15829,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[101,16],"tags":[],"class_list":["post-15822","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general","category-technology"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Patterns Beneath the Noise: VFX in the Age of AI - Adrian Pueyo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/adrianpueyo.com\/es\/patterns-beneath-the-noise-vfx-in-the-age-of-ai\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Patterns Beneath the Noise: VFX in the Age of AI - Adrian Pueyo\" \/>\n<meta property=\"og:description\" content=\"A few thoughts on the patterns behind the changes we\u2019re seeing in VFX, recorded during an internal session at Orca Studios. 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